By Stephanie Rudnick
Stephanie Rudnick

With the overly saturated music industry experiencing ever-changing shifts in music consumption, artists must find unique ways to gain traction within the market in order to create successful campaigns. Technological innovations such as digital streaming provided by service giants such as Spotify and Apple Music are truly shaping the industry. There is now a greater accessibility to music than ever before and artists can easily get lost in the clutter. The days where studios and labels put mass advertising behind the release of an album are gone. This has caused musicians to increasingly think like brands; relying on creativity and innovation to drive interest in their upcoming sales. Sponsors and marketers also live in a similar dynamic realm where there are constant technological changes and never ending clutter of branded content. The following are leading examples from the music industry that provide key learnings for marketers in today’s world.

In June 2017, in advance of the release of her “Witness” album, Katy Perry partnered with YouTube to launch a 96-hour live stream of her living day-to-day in a camera filled “Big Brother” style home. The live stream allowed fans to observe Perry in a range of content from average daily activities to more intense moments such as therapy sessions. The broadcast was supported with celebrity guest appearances who interacted with Katy for interviews, cooking, games, challenges, and conversations. The live stream led to a concert where Katy performed songs from the upcoming album. The Katy Perry Witness World Wide Live Stream reached 190 countries and garnered 49 million views.

Katy Perry provided fans with an opportunity to receive unprecedented access to celebrity. The raw, constant transparency that a live stream provides allows consumers to feel an authentic connection by being able to tune into an “unscripted” experience.

For sponsorship marketers, Perry’s stunt is a reminder of key operating principles when developing strategy and planning brand experiences. Perry understood the power of designing a brand experience that would organically drive social chatter. Rather than rely on media appearances on TV and radio to plug the album release like most artists, Perry’s live stream was designed for the digital age. By choosing the correct platform, in this case, YouTube, users were able to connect at any time (mobile, desktop etc.) for real-time interactions. The tactic of live streaming her activity scaled access to Perry in a way that transcended geographic borders and time constraints; sponsors planning physical branded experiences must also find ways to bring the consumer experience to those unable to engage in the precise time and place of the activation.

Notable hip-hop stars 2 Chainz and Kendrick Lamar are examples of artists who have utilized powerful physical, in-person brand experiences that coincide with particular promotional announcements. 2 Chainz released his fourth studio album titled “Pretty Girls like Trap Music” in …read more

Via:: MKTG Blog